Jenny Tate: Review Powerquest, Fury UK,The Michael Schenker Group at JB’s Dudley

Tonight’s triple bill at JB’s, Dudley, was absolutely magnificent. Powerquest opened with  hit ‘Cemetery Gates’, finishing off with brilliantly played killer track  ’Neverwold’ - an instantly memorable song, reminiscent of a firework display and an excellent set closer. Great to see a vocalist with such passion and enthusiasm, exhorting the audience to “come closer, we don’t bite!” The band’s synchronicity at the end of ‘Neverwold’ was impressive and made the ending even more enjoyable. Good to see the band in the flesh for the first time, bringing them to life outside of the free cover CD’s of Rock magazines.

Fury UK were, as ever, truly tremendous. Pure rock magic in action. Chris Appleton’s sheer vibrancy and obvious enjoyment of singing lead vocals and playing lead guitar always leaves me wanting more. His cheeky smile and showmanship are totally unique. Martin McNee’s an absolute monster on the Drums and really got the audience going, tonight. Good to hear more vocals from him. Luke Appleton’s bass playing and backing vocals showed a genius at work, as usual. Absolutely second-to-none, effortless skill. The sound of the set was just perfection. From the fabulous crash bang opening of ‘VR’, to the awesome magic that is ‘Brotherhood’, right through to the earth-shattering closer ‘Death By Lightning’, Fury UK owned the stage tonight. No doubt about it – when these guys take to the stage, the earth moves and the world notices!

Headlining tonight were The Michael Schenker Group! What an experience! They’re that rare breed that you can listen to once and get instantly hooked. I saw them for the first time ever and loved them, immmediately! Talk about seasoned, natural musicians – I was simply blown away. Their songs have it all – a pure classic rock sound, with a catchy quality, which embeds and immortalises itself in your mind. Fantastic to hear ‘Armed and Ready’, live. They really know how to command an audience and convey love for the music. Never having seen them live before, it was a privilege to see masters at work and an unforgettable experience.

All in all, a blinding night!

More info on: www.myspace.com/powerquest and www.powerquest.com

www.furyuk.com and www.myspace.com/furyuk

www.michaelschenkergroup.com or www.myspace.com/michaelschenkergroup

Rhubarb and Apple — two new ways to listen

It should now be even easier to tune in to Rhubarb — we’re listed in Apple’s Internet Radio directory.

That means if you’ve got an AppleTV you can find us under the Internet > Radio menu. If not but you have got iTunes on your computer we’re there too (under ‘radio’ in the sidebar).

You can chose two categories to be under, so you can find us under ‘Eclectic’ or ‘News/Talk’.

A little bit about us…

Norten Menenez and Jigar Patel have been busy, and as part of their studies, spent a little time with us behind the scenes. Here’s a short clip from their 10 minute feature, which should be ready just after the festive season break.

Thanks guys

Fury UK and Blaze Bayley – Hellfire Fest – Birmingham NEC. Saturday 7th November 2009.

Simply astounding performances tonight from Fury UK and Blaze Bayley. The only downside was that it wasn’t long enough! Both bands played like a metal lover’s dream. Chris Appleton’s furious, lightning speed guitar work and raw vocal energy were absolutely fabulous. The way Chris plays and sings to the crowd just has to be admired. Martin’s brilliantly passionate drumming and Luke’s intense and rhythmic, fun-packed bass line delivery made this a brief but impressive metal feast from Fury UK.

Blaze Bayley was astonishing, as always. His love of metal is conveyed so powerfully. The strength in his voice and his style of commanding an audience are truly awe-inspiring. Blaze’s way of singing to everyone in the room marks him out as the showman that he is. You can’t help being affected by the messages behind Blaze’s songs and the powerful way he expresses them. His band’s instrumentals completed the wonderful explosive metallic sound that is the Blaze Bayley Band and with Fury UK’s Luke Appleton playing Bass for Blaze tonight, it was even better! I left both sets tonight feeling like my ear drums had closed up!

The tribute paid to Evile’s recently deceased Bassist Mike Alexander helped to make this evening an even more special show, which anyone would have been proud to have attended.

More details about the Bands at www.furyuk.com and www.blazebayley.net

Jenny Tate

Disability Access to Rhubarb Radio

Hi rhubarb radio Community of Interest

As some of you may know, in addition to my involvement with rhubarb radio, I am a director of ‘DAISY’ (Disability Arts Inspired Social Enterprise), which aims to enable talented people with disabilities to develop as Artists with a capital A, very much in the vein of Outsider Art: though I personally don’t like this term.

Engaged generally, in disability issues; for sometime I have been thinking about the accessibility of rhubarb radio’s programming for people who are deaf or hard of hearing.  From the very outset Birmingham’s leading Social Media exponents have sought to craft the rhubarb radio as a social media platform which could expand the capacity for participation and access to the culture of the city.  That said, given that our primary output is audio, serving people who are deaf or hard of hearing presents us with some difficulties.

During our live audio streaming of the Hello Digital 09 event and quite rightly, a number of issues relating to disability access have been passionately raised via the blog post PeskyPeople.  Some of the issues raised invited the event to consider whether it was possible to have made the audio more accessible to people who are deaf or hard of hearing.  Again rightly, the point was also raised that it shouldn’t be the job of people with disabilities to organise their inclusion in events or services.

I felt sad to learn of the experiences expressed in the blog post and further so when considering the many people who are deaf or hard of hearing visit such events online.  Ever the optimist, I took to thinking we at rhubarb radio could better address our difficulties in this service area, and how the creative capital of rhubarb radio could possibly meet this problem head on.

Obviously, I can offer to the event organisers the facility to apply a voice to text treatment to the audio archive for the event and then apply that to the website

Beyond this, I believe, requires a far more creative response. I recently returned from an UrbanLab conference organised by Citilab in Barcelona, in which motivated digital creative’s from every discipline came together in a spirit of fun, curiosity and creative endeavour, to apply their collaborative knowledge, skills and experiences to a problem expressed from within the community that required a digital technological solution.

The intention was not necessary to arrive at a complete solution but rather to advance the solution.  With no expected commitment beyond the time frame of the event, first the problem was fully explored and clarified, it was then divided up into relevant solution areas and again relevant creative’s applied themselves to working together for creative digital solutions to the problems that presented. The event was a real delight, engaging, refreshing, enlightening etc.

I am wondering whether there might be interest and motivation out there among our creative and academic communities to attend a rhubarb hosted CreativeLab event; aimed to better enable people who are deaf or heard of hearing to have access to live audio such as radio. There seems to be a fare amount of research, initiatives and innovative approaches out there along with some unresolved software.

Let me know what you think. If members are happy I shall progress the idea with who ever comes forward.

It strikes me, if we could get a decent audio to text translation all manor of things become possible: live text from live audio facility can be switched on and off; Text can reasonably be translated in to the full range of community languages and community language text could easily be re-streamed as text to digital audio; Text to Braille also becomes possible for those who might need it.

Some of you will know that rhubarb radio is currently exploring the possibilities of enabling people to create tags within our listen again audio streams. An audio to text facility could offer us additional benefits in this area by better enabling us to create jump points or auto tags within our streams. The list of benefits to our all round service would be many, and obviously there are much wider applications beyond the rhubarb project.

It may be that at this point in the development of digital technology it’s just not possible, but if all that is achieved through a CreativeLab event, around the issue of disability access to audio, is that we advance towards a solution by one more millimetre it will be worthwhile.

Daniel Cremin

 

 

 

 

Artsfest Afterparty Tickets

Get them while they’re hot (in the virtual, print out an email sense).

where and when:

The Irish Centre (The Connaught Bar)

Saturday 12th September

10pm – Late

the line-up:

Urban Sunrise feat Wahfish (EMP Records)

Capoeira Renascer (C.Mestre Israel / Capoeira Dancers)

A Woman of No Importance (Extract from Oscar Wilde’s Play / Ay Mango! Theatre)

Boogie Dave and Roskoe (Dubstation)

Skeleton and Dolhasz (Beat Suite)

Whomanity (Whomanity)

Olbi i (Version Galore)

Royal (Open Beats)

ArtsFest Afterparty – Tell Your Friends

More details, ticket links, even some tunes or vids if we can dig them up, coming soon.

Block out the time in your diaries…

(storming flyer too)

Tickets now available here.

ArtsFest- Call for Volunteers

Call for volunteers

This year we are taking part in Birmingham’s biggest & most vibrant cultural festival: ArtsFest!

We are aiming to offer a range of live Artsfest feeds from around the city.

We are also hosting the Afterparty from:  the Irish Club, in Digbeth:

Saturday 12th September

10pm – 4am

Birmingham Irish Club

16-20 High Street Deritend

Irish Quarter

Birmingham

B12 0LN

Ask it! Stand

We will also have an Ask It! Stand on Saturday and Sunday on New Street, where we will be able to provide visitors with information about rhubarb radio and the Artsfest afterparty. The stand will offer us the opportunity to advertise the range of shows on rhubarbradio.com, our key service areas and volunteer opportunities. We will also be able to have a small selection of rhubarb merchandise on display (and for sale) on the stand.

Join us at the festival:

We are now looking for volunteers who would like to join in with the event and help out during the two days.

We are looking for:

• People to steward the afterparty event on Saturday evening 8pm – 4am.
• People to man the Ask it! Stand on Saturday and/or Sunday.
• Afterparty ticket sellers on and around the Ask it! Stand.

Please send in a short description of how you would like to get involved

E-mail : janet.rooms@rhubarbradio.com

Live Box is Back, and On the Move

LIVE BOX GOES OUTER NATIONAL

BIRMINGHAM’S LIVE BOX SPARKS ANNIVERSARY BUZZ The Live Box with Soweto Kinch marks its ninth anniversary with a stunning line up of musicians and performers from across three continents.

High priest of neo-funk Anthony Joseph and his Spasm Band will kick off the four month anniversary fest – celebrated at venues in Birmingham, Leicester and London The new season also includes performances by Deodata Siquir, the Scandanavia based lion of African Jazz; Soweto Kinch returns as emcee of the Battle in the Box – the raucous open night spots for the brave and the talented; there will be music from songwriting talent Michael Olatuja, whose compositions – according to one critic – “speaks a potent language that soothes the soul.”; Jamaican born singer, dancer and songwriter Sparlha Swa bring to the event a flavour reminiscent of Joni Mitchell and Tracey Chapman. There will also be performances from spoken word artiste and Whitbread winning author Patrick Neate ; Pianist Robert Mitchell – hailed by the Guardian as “A young virtuoso of McCoy Tyner-like precision”, and, Hoxton based jazz education scheme Jazz Alive.

Developed by three-time MOBO Award winner Kinch, the Live Box has been – over the years- a launching pad for a broad range of artistes from across the Midlands and beyond. Originally based at the Drum in Aston – but now branching out with performances across Europe- the project offers both emerging and established artists the opportunity to develop and perform their work. It also provides a space for audiences of all ethnic backgrounds, ages and cultural tastes to interact and relax. Rappers, dub-poets, jazzmen and torch singers have all shone on the Live Box stages. Some very famous and long established performers have performed too – jazz greats Wynton Marsalis and Cleveland Watkiss included.

Yet according to Kinch, a key aim of the Live Box is to nurture “the brilliant raw, the vulnerable gifted who without support would probably do something else.” Handsworth Clarinettist Shabaka Hutchins; neo-soul songstress Julie Dexter, also from Handsworth but now decamped to Atlanta to record and produce, and the striking London based singer-songwriter Eska Mtungwazi are among many to have honed their performing skills at the Live Box.

The 2009 season starts September 12th with shows in London and Birmingham until December 13th. Check http://www.nucenturyarts.co.uk/livebox/ for full details.

FOR FURTHER INFORMATION CONTACT ROY @ SGP ON 07814677875 OR DON @ NU Century Arts ON 07956876328

Thanks to Supersonic coverage crew

Good write-up, Danny. It was an exhausting but educational experience for all of us.

It’s my pleasant duty to thank the core team of volunteers, in random order:

Jenny Tate, Justin Kasey, Titchy-B, Danny Smith, Amanda Gaynor and Richard Summerfield. I could not have been more pleased with the co-operation, enthusiasm and flexibility shown by everyone over the weekend. Some were in for the long haul, some were unable to be; some were able to air their talents, some were in a more supporting role. The details didn’t matter: what mattered was the team spirit and the way everyone worked together.

I’m also grateful for Daniel Cremin’s help in securing artist interviews and Paul Hadley’s assistance with the quite intensive preparatory work needed.

I had better not take up the readers’ time mentioning everyone else who was of assistance, such as the guest commentators who helped us on the day, but you can hear some of them on the highlights of the broadcasts which Danny mentions above.

I’ve certainly learned a lot from the experience.

Kevin